Abbildung eines Logo
Titel
Revolution of forms Revolution of forms Revolution of forms Acknowledgments Foreword One - In the Beginning Marpacifico, 1936 Interiores del Cerro, 1943 La Jungla, 1943 Harrison and Abramovitz, U.S. Embassy, Havanna, 1952-53 Ricardo Porro, Franco Albini, Miguel Gastón, Fernando Salinas, and unidentified architect with model of proposed development for Habana del Este Casa Falla Bonet, 1939 Cabana of the Hotel Kawama; 1955; Casa Ramirez Corría, 1956 Casa Alvarez, 1957 Casa Verdera, 1955 Casa Higinio Miguel, 1958 Medical Offices, 1953-54; Misiones Office Building, 1951-52; Tribunal de Cuentas, 1952-54; Sala Arcos de Cristal, Cabaret Tropicana, 1952 Casa García, 1953; Casa Ennis, 1957 Ramp from the Aula Magna to the Plaza Cubierta, Ciudad Universitaria, Caracas, 1952-53 Two: Founding the Schools Schematic plan of Havana, with site for the National Art Schools in Country Club Park Ricardo Porro Ernesto Rogers and Roberto Gottardi Vittorio Garatti seated on Havana's Malecon Site plan of the National Art Schools Detail of end of a Catalan vault, the School of Ballet Guastavino Rib and Dome System, Gould Stable and City Engine, House at Broome Street, New York, 1902 Three: The National Art Schools Students of Vittorio Garatti, 1962, with José Mosquera Building a Trial Catalan vaulted cupola in the Courtyard of the Ministry of Public Works, 1961 Site of the School of Ballet in April 1961 and September 1961 School of Dramatic Arts: Areal view of construction Roberto Gottardi with model of theater School of Music: view of construction scaffolding, 1962; concrete ring base for Catalan vaults, 1962 School of Modern Dance: aerial view of construction; carpenters erecting scaffold School of Basllet: schower room enclosrue at left, scaffolded Dance pavilion at Right, 1961 School of Ballet: aerial view of construction School of Ballet School of Modern Dance Aerial view, 1965 Plan Dance pavilion, interior view, 1965 Cafeteria, interior view Section through dance pavilion; cupolas with planters built into structural frame Landscaped view from exterior, 1965 Entry courtyard, 1965 View toward Dance pavilion from main plaza, 1992; Entry courtyard, 1992 Vaulted entry, 1965 Vaulted entry, 1992 Main plaza, classroom, 1992 Colonnade, 1997 School of Plastic Arts Aerial view, 1965; Plan Construction detail of vaulted entry View toward entry, 1965 Roofscape, 1965 Landscaped view from exterior, 1965 Interior view of sculpture Studio, 1965 Painting studio, 1975 Exhibition gallery, 1965 Exhibition gallery, 1975 Central entry vault, Colonnade, 1992 Main Plaza with fountain, 1965 Main Plaza with fountain, 1992 Courtyard Amphitheater, 1992 School of Dramatic Arts Model Plan (Alex Brito and William Duncanson) Longitudinal section through complex and unbuilt theater View of passage, 1992 Courtyard amphitheater, 1997 Interior streetscapes, 1992-1997 Performance space, 1997 Exterior view of classroom, 1997 Detail of built-in classroom seating, 1992 Performance classroom, 1997 Abandoned construction, 1997 Pylons for unbuilt theater, 1992; Abandoned construction, 1997 School of Music Exterior view and roofscape, 1992 Roofscape, 1963 Roofscape, 1992 Covered passage, 1992 Balcony and entry to recital hall, 1992 Subterranean corridor, 1965 Model of concert hall, 1962 Abandoned and occupied classroom, 1992 Recital hall, 1992 Detail at exterior of recital hall, 1997; view to recital hall from balcony, 1992; planters at beginning of paseo arquitectonico, 1992 School of Ballet Roofscape, 1965 Elevation; roofscpae, 1965 Sketch, 1961 Vittorio Garatti and Alberto Moravia, 1970 Plan and aerial view, Entry, 1965 Entry, 1963 Roofscape of elliptical Courtyard, 1965 View into elliptical courtyard, 1963 Roofscape.1965 Roofscape, 1992 und 1997 Entry, 1992; Foyer, 1997 Dance pavilion, 1997 Library, 1994; Administration and Shower room, 1997 Performance pavilion, 1997 Four: Crime and punishment Construction of the vaults at the School of Music, 1962 Humberto Alonso, Ciudad Universitaria José Antonio Echeverría (CUJAE), 1964 La Papaya, School of Plastic Arts, 1965 Wifredo Lam, Quarto Famba, 1947 Ricardo Porro, Carlos Lechuga, Dr. Osvaldo Dorticós Torrado, Roberto Gottardi … inspecting the schools Five: Other modernisms Hans Scharoun, Berlin Philharmonic Hall, 1957-1963 Giovanni Michelucci, Church of San Giovanni Battista, Campi Bisenzio (Florence), 1964 Banfi, Belgiojoso, Peressutti and Rogers, Torre Velasca, Milan 1958 J. S. Coderch, ISM Apartment Block, Barcelona, Spain, 1951 Jordi Bonet, Church of San Medi, Barcelona, Spain, 1960 Carlos Mijares, Sn José Parochial Center, Jungapeo, Mexico, 1982 Rogelio Salmona, Quimbaya Gold Museum and City Center, Armenia Eladio Dieste, Church of Atlántide, Uruguay, 1960 Walter Betancourt, Cultural Center of Velasco, Cuba, 1964-91 Félix Candela, Church of Our Miraculous Lady, Mexico City, 1954 Ricardo Porro, Competition project for a hotel, San Sebastián, Spain, 1963 Salvador de Alba Martín, Market at San Juan de los Lagos, Jalisco, Mexico, 1967 Oscar Niemeyer, Casino, Pampulha, 1942 Six: Road to rehabilitation Rosendo Mesías, Revolución es Construir. … Architectura, (1991) School of Ballet, 1996 School of Music, classroom, 1997 School of Music, The paseo arquitect´nico at entry, 1994 Documents Chronology - Selected chronological events
Autor
  • Ansicht nach links drehen Ansicht nach rechts drehen Drehung zurücksetzen
  • Ansicht vergrößern Ansicht verkleinern Vollansicht