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Studio: international art Einband Schmutztitel Titelblatt Index to volume V No. 25 (April, 1895) George Clausen On some drawings by Tony Grubhofer The decoration of the suburban house "The Kelpie" The Royal Society of Painter-Etchers The South Downs as a sketching ground Snow as a subject for the camera Occasional notes No. 26 (May, 1895) Max Klinger The garden and its art, with especial reference to the paintings of G. S. Elgood Some aspects of the work of Miss Mary L. Newill On a recent criticism of the works of Lorenzo Lotto The new "Magpie and Stump" A Japanese course of instruction in woodcarving, [1] No. 27 (June 1895) Dalmatia as a sketching ground Some reflections on art at the Champ de Mars Afternoons in studios Some more dry-points by M. Helleu The art of the pastellist The Manchester School of Art A painters' club From gallery and studio A Japanese course of instruction in woodcarving, [2] No. 28 (July, 1895) Some portraits seen this season On some sketches by Briton Riviere The Manchester arts and crafts Letters to artists, Ringwood as a sketching ground A new book illustrator: Charles Robinson The Salon of the Champs-Elysées A Japanese course of instruction in wood-carving, [3] No. 29 (August, 1895) The art of Boutet de Monvel The Home Arts and Industries Association, at the Albert Hall Newyln as a sketching ground Stencilled fabrics for decorative wall hangings The making of monograms A Japanese course of instruction in wood-carving No. 30 (September, 1895) The etchings of Mr. D. Y. Cameron Quebec as a sketching ground A painter in the arctic regions Another word on the poster Occasional Notes A Japanese course of instruction in wood-carving, [5] The editor's room Maßstab/Farbkeil
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